Exploring flesh as a place which holds memory, this tapestry is formed from skin-like layers in which images have become embedded. This piece reflects on the melding and reforming of memory through technology, particularly mechanical memories captured in photographs.
The structural elements demonstrate how photography has become intertwined and synonymous with memory in a contemporary context. Through use of bio-plastic and polaroid photographs, the materiality echoes the biological and synthetic elements of memories influenced by technology.
This piece contemplates how the images we create, in turn, create us.